This is more clearly seen if the entire image is converted into an abstract tone map using Gaussian blur in Photoshop. In the photo above the blue gel in the background light created contrast with the face providing good contrast and separation, but the shirt and face blend together. #FLOWER GRAY AND BLACK BACKGROUND SKIN#Bluish or "cool" backgrounds will create needed contrast with warm caucasian skin tones.īut there is also a need for the background to coordinate with the clothing while at the same time contrasting with the color and tone of the face. A background color which contrasts with the skin tone of the subject will make the face of the subject more visually attractive than one which causes the face to get lost in it. If the background is middle toned significantly darker and lighter areas will fight each other for attention leading to a visual ping-pong match which can be effective if planned intentionally or a huge distraction if its not.Ĭolor contrast is also an important factor. If the background is predominantly high-key or white the viewer will be attracted to darkest most colorful areas. If the background is predominantly low-key or dark the viewer will be attracted to lighter areas. It is the dominant background tone which creates the baseline for contrast in the photo. More importantly I realized that the key to controlling the strength of the attraction in a portrait wasn't the tone of the center of interest but rather the much larger background and clothing areas.Ī face will have no visual impact a dark background if there is a large white shirt beneath it. It was many years later that I realized there was a common thread in both of their approaches the use of contrast to lead the eye of the viewer. I worked as his apprentice and assistant from 1972-4. In Monte's work the path of the viewers eye to the center of interest is like being shot out of a cannon towards a bulls-eye target. Monte Zucker revolutionized wedding photography in the 1970s by creating simple but elegant short-lit low-key background portraits which strongly isolate a single center of interest. They were my introduction to the concept of process control and the foundation of my photographic knowledge. #FLOWER GRAY AND BLACK BACKGROUND SERIES#I was fortunate to find his five book basic photo series - Camera and Lens, The Negative, The Print, Natural Light Photography, and Artificial Light Photography - at my college bookstore in 1970. The journey of the viewer's eye in an Adams photo is like a leisurely stroll along a country road. #FLOWER GRAY AND BLACK BACKGROUND HOW TO#Background and Clothing Considerations for PortraitsĪnsel Adams taught the world how to create an interesting visual path in a photograph with subtle tonal variation.
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